Addiction

Art Pepper Meets the Rhythm Section

Art Pepper Meets the Rhythm Section is a 1957 jazz album recorded in one day at Contemporary’s Studios in Los Angeles, featuring Art Pepper on alto saxophone and the Miles Davis rhythm section — Red Garland, Paul Chambers, and Philly Joe Jones — musicians Pepper had never met before and learned he would play with only that morning. He played on a malfunctioning instrument while struggling with addiction. Accounts differ on how long he’d gone without playing — two weeks or six months — but the pressure was real, and the sound bears it. It is one of Pepper’s best-known 1950s albums, released on Contemporary in 1957 — not a comeback, not a debut, but a sudden, singular convergence.

Bert Jansch

A home-recorded folk album that rewrote guitar grammar before anyone noticed.

Blues From the Gutter

A stark, unembellished blues record defined by its minimal personnel and clinical lyrical focus.

Dirt

Dirt is Alice in Chains’ second studio album, released on September 29, 1992. It was recorded from April to July 1992 across three studios — Eldorado in Burbank, London Bridge in Seattle, and One on One in Los Angeles — during the 1992 Los Angeles riots. The band evacuated to Joshua Tree with Tom Araya for four or five days before resuming work. Producer Dave Jerden returned from Facelift and crafted the album’s signature guitar tone using three distinct amps: a Bogner Fish preamp for low end, a Bogner Ecstacy for mids, and a Rockman Headphone amp for highs. "Would?" was recorded earlier by Rick Parashar for the Singles soundtrack. Jerry Cantrell wrote most songs; Layne Staley wrote "Hate to Feel" and "Angry Chair" solo and played guitar on both. Six of the thirteen songs address addiction. Cantrell described the process as soul searching and cleansing accumulated emotional poison. The album yielded five Mainstream Rock charting singles and remained on the charts for nearly two years.

Southeastern

Southeastern is a live-vocal, band-in-the-room album anchored by direct lyrical address and emotional specificity. It avoids sonic obfuscation. It names trauma, recovery, and memory without abstraction. Its power lies in what it refuses: polish, distance, and evasion.

Superunknown

Superunknown is Soundgarden’s 1994 breakthrough—recorded song-by-song at Bad Animals Studio in Seattle using a Neve console, with drums and bass tracked first, then layered guitars and vocals. Producer Michael Beinhorn prioritised sonic experimentation and subtler forms of power, even having Chris Cornell study Frank Sinatra before recording 'Black Hole Sun'. The album is dark and mysterious, lyrically inspired by Sylvia Plath and interpreted as addressing substance abuse, suicide and depression; musically, it incorporates Middle-Eastern and Indian elements while retaining the band’s heaviness and creativity. Critics praised its range and emotional intensity, calling it more harrowing than Nirvana’s In Utero. It debuted at number one on the Billboard 200 and spawned five singles.

The Slider

The Slider is T. Rex’s 1972 album, written and demoed during their UK tour in fall and winter 1971. It was recorded across Rosenberg Studios (Copenhagen), Trident Studios (London), and Strawberry Studios in Château d'Hérouville — the latter chosen to avoid British taxing laws. Tony Visconti produced throughout. Marc Bolan’s drinking and cocaine use affected his personality during sessions, but recordings progressed quickly and efficiently. Musically, it features layered electric guitars, phasing, reverb, backwards guitars, string arrangements by Visconti, and androgynous backing vocals — though Visconti later claimed Flo & Eddie sang on only three tracks. Its lyrical themes include vulnerability, godhead imagery, and emotional states like sadness expressed in the title track’s refrain 'and when I'm sad, I slide'.

Tonight’s the Night

A raw, late-night studio document of grief, recorded live in a rented Hollywood rehearsal space with rented gear, featuring the surviving Crazy Horse rhythm section’s first session after Danny Whitten’s death. Young’s voice cracks. Mics are missed. Room echo stays in. Reprise delayed release for two years. It sold poorly in 1975 but is now regarded as a landmark—and Young called it the closest he ever came to art.

All the Beauty and the Bloodshed

Laura Poitras’s 2022 documentary follows photographer and activist Nan Goldin across five decades — from her early portraits of New York’s queer and AIDS-affected communities to her founding of P.A.I.N. and protests against the Sackler family’s role in the opioid crisis. Built almost entirely from Goldin’s own archive and recent footage of museum demonstrations, the film frames art-making and political action as inseparable practices of truth-telling.

Basquiat

Julian Schnabel’s 1996 directorial debut is a biographical film about Jean-Michel Basquiat, starring Jeffrey Wright and David Bowie as Warhol. Made without access to Basquiat’s actual artwork, it relies on stylistic approximation and a self-reflexive script co-written by Schnabel and Lech Majewski. The film traces Basquiat’s rapid ascent and decline in 1980s New York, foregrounding his relationship with Warhol and his struggle with addiction. Its strength lies in texture and restraint; its limitation, in the narrowing of Basquiat’s voice, politics and heritage to fit Schnabel’s personal elegy.

Bay of Angels

Jacques Demy’s 1963 black-and-white drama follows a young bank clerk and a compulsive gambler through the casinos of Nice and Monte Carlo. Built around Jeanne Moreau’s tightly coiled performance and Michel Legrand’s percussive score, it studies addiction as rhythm, not pathology — where money is incidental, and the real stakes are time, attention, and the diminishing space between decisions.

Christiane F.

Christiane F. (1981) is a West German drama adapted from a real teenager’s account of heroin addiction in 1970s West Berlin. Directed by Uli Edel and shot with non-professional actors on location, it charts Christiane’s descent from bored 13-year-old to dependent user over two years, using unflinching realism, restrained performances, and a grey, grounded visual style. It omits her full biography — beginning and ending abruptly — and makes no claim to diagnosis or resolution. David Bowie appears in concert footage and contributes to the soundtrack, but his role is atmospheric, not symbolic.

Corridors of Blood

Corridors of Blood (1958) is a British horror-drama starring Boris Karloff as Dr. Thomas Bolton, an 1840s surgeon whose pioneering work with anaesthetic gases leads to professional ruin, addiction, and entanglement with criminals. Directed by Robert Day and shot by Geoffrey Faithfull, it trades gothic excess for moral austerity, using tight framing, chiaroscuro lighting, and Karloff’s restrained performance to trace a downward spiral rooted in cause and effect. Though hampered by repetitive plotting and thin characterisation in places, it remains a coherent, atmospheric study of scientific vocation undone by human frailty.

Dead Ringers

David Cronenberg’s 1988 film follows identical twin gynecologists Elliot and Beverly Mantle as their shared professional and personal life fractures under drug dependency, ethical collapse, and blurred identity. Jeremy Irons plays both roles with uncanny precision, supported by Peter Suschitzky’s austere cinematography and Howard Shore’s unnerving score. Based loosely on the Marcus twins and adapted from Bari Wood’s novel, it is a tightly controlled psychological drama that prioritises behavioural realism over exposition, clinical space over emotional catharsis, and structural inevitability over narrative surprise.

Drugstore Cowboy

Set in 1971 Portland, Drugstore Cowboy follows Bob Hughes and his crew as they rob pharmacies to sustain their heroin habits. When a death forces Bob to confront consequences, he attempts sobriety — only to circle back, not in despair, but with grim, ironic resolve. Gus Van Sant’s second feature avoids moralising, instead observing addiction as a structure of time, labour and loyalty. Shot by Robert Yeoman, scored by Elliot Goldenthal, and anchored by Matt Dillon’s restrained lead performance, it remains a benchmark of American indie realism.

Fear and Loathing in Las Vegas

Terry Gilliam’s 1998 adaptation of Hunter S. Thompson’s Fear and Loathing in Las Vegas commits fully to the novel’s hallucinatory logic and period specificity. Starring Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo, it charts their chemically accelerated descent through Las Vegas in 1971 — less a story than a sensory and moral autopsy of a fraying American dream. The film’s craft serves immersion over clarity, its themes revolve around eroded reality and institutional decay, and its value lies in fidelity, not comfort.

Bubble Shooter

Bubble Shooter is a 2002 puzzle game by Absolutist, later expanded by Ilyon Dynamics. It asks players to clear marbles by matching three or more of the same colour before they reach the bottom line. It has four difficulty levels and two scoring modes: Classic (no limits) and Sniper (fewest shots wins).

Candy Crush Saga

Candy Crush Saga is a match-three puzzle game where players swap adjacent candies to make lines or columns of three or more identical colours. Matches remove candies, trigger cascading falls, and generate points — with bigger matches producing special candies that clear larger board sections. Each level imposes a specific goal — like collecting a number of candies or clearing jelly-covered tiles — within a fixed move limit. Lives are lost on failure and regenerate over time or via purchase. The game introduced saga-based progression and cross-platform sync, with mobile versions built for touch and offline play.

Fortnite Battle Royale

Fortnite Battle Royale is a free-to-play battle royale released by Epic Games in September 2017. It supports up to 100 players per match in solo or squad formats. Players descend from the Battle Bus onto a large island, gather weapons and resources—including wood, stone, and metal—and build temporary structures for movement, defense, or combat. The game is played in third-person perspective, with a continuously shrinking safe zone forcing encounters. It uses microtransactions and a battle pass system for revenue and supports cross-platform play across PC, console, and mobile.

Bejeweled Blitz

A high-speed, one-minute match-three game that trades contemplation for velocity — and rewards relentless, real-time decision-making.

World of Warcraft

World of Warcraft is a persistent, factioned, realm-based MMORPG where progression is linear, social coordination is structural, and player agency is bounded by scheduled content and systemic repetition. It launched in North America on November 23, 2004, and is managed by Blizzard’s Team 2.

Philip Morris International

Digital detox

Doomscrolling

Straight edge