Space exploration

Mothership Connection

Mothership Connection is a 1975 Parliament concept album unified by an outer-space theme. It is the first Parliament album to feature Maceo Parker and Fred Wesley. It was conceived by George Clinton.

Armageddon

A 1998 American action film directed by Michael Bay, Armageddon follows a team of oil drillers recruited by NASA to destroy a Texas-sized asteroid hurtling toward Earth. With a $140 million budget and an ensemble cast including Bruce Willis, Ben Affleck and Liv Tyler, it prioritises emotional clarity, physical craft and relentless momentum over scientific plausibility or psychological nuance. Though critically divided, it became the highest-grossing film of 1998 and remains a benchmark for large-scale, character-driven spectacle.

First Man into Space

First Man into Space (1959) is a British science fiction-horror film directed by Robert Day, following a US Navy pilot who returns from extreme altitude encrusted in meteoric dust and transformed into a blood-dependent creature. Built on a tight budget and grounded in procedural realism, it prioritises physiological logic over myth or metaphor, using restrained performances, functional cinematography, and a lean narrative structure to sustain its central conceit. Though limited by its means, it delivers a coherent, atmospheric, and quietly tragic vision of spaceflight as irreversible bodily violation.

For All Mankind

Al Reinert’s 1989 documentary For All Mankind assembles six million feet of NASA film into a single, continuous lunar mission, using astronauts’ interview voices and Brian Eno’s ambient score to evoke the physical and psychological experience of spaceflight — prioritising sensation over explanation, silence over speech, and scale over story.

Robinson Crusoe on Mars

Robinson Crusoe on Mars (1964) relocates Defoe’s castaway tale to a scientifically plausible Mars — one with thin air, hidden water, and mineral oxygen. Commander Draper survives alone, then with a monkey and finally with Friday, a fellow captive. Shot in Death Valley by Winton Hoch and directed by Byron Haskin, it favours procedural realism over spectacle, trusting silence, scale, and incremental discovery. Its strengths lie in tactile survival logic and visual consistency; its weaknesses are a rushed finale and underdeveloped alien context. It remains a singular, unhurried vision of isolation and reciprocity in space.

The Right Stuff

Philip Kaufman’s 1983 film adapts Tom Wolfe’s book into a sprawling, visually precise account of American test pilots and Mercury astronauts. Shot across California locations including Edwards Air Force Base and Hamilton AFB, it contrasts Chuck Yeager’s solitary mastery with the seven astronauts’ managed ascent into orbit. Caleb Deschanel’s cinematography, Bill Conti’s score, and Glenn Farr’s editing sustain its 184-minute runtime through texture and rhythm rather than plot velocity. Though criticised for historical compressions — particularly around Gus Grissom — it endures as a meditation on visibility, endurance, and the cost of turning courage into spectacle.

The X from Outer Space

The X from Outer Space (1967) is a Japanese kaiju film directed by Kazui Nihonmatsu, produced under governmental tax incentives to promote Japanese genre cinema abroad. It follows a Martian spore that mutates into Guilala — a jet-headed, feathered monster — which rampages through Tokyo before being neutralised with a fictional compound and launched into solar orbit. Made with shared effects resources and minimal narrative scaffolding, it prioritises momentum and tactile spectacle over coherence or character. Released theatrically in Japan and later on US television, it has endured as a touchstone of earnest, low-budget tokusatsu.

A Trip to the Moon

Georges Méliès’s 1902 A Trip to the Moon is a 16-minute silent French fantasy built from theatrical illusion, hand-painted sets, substitution splices, and hand-coloured frames. It follows astronomers who cannon-launch to the Moon, land in its eye, battle Selenites, and return with a captive. Made at Méliès’s Montreuil studio, it synthesises Verne, Wells, Offenbach, and Buffalo exposition spectacle into a self-contained world of visual puns and mechanical magic. Its power lies not in narrative or realism but in the sustained ingenuity of its craft—and its unwavering assertion that cinema is, first, a maker’s medium.

The Challenger Disaster

A 2013 TV movie dramatises Richard Feynman’s investigation into the 1986 Challenger explosion. It establishes cold-temperature-induced O-ring failure as the cause, shows Feynman discovering he has cancer mid-inquiry, and highlights institutional resistance—but offers no evidence of what changed afterward, no contested interpretations, and no insight into the astronauts’ experience beyond their likely death at takeoff.

Viking lander biological experiments

The Viking lander biological experiments were a suite of four in situ tests conducted in 1976 by the Viking 1 and Viking 2 landers to detect microbial life on Mars. The experiments—Gas Chromatograph–Mass Spectrometer (GCMS), Gas Exchange (GEX), Labeled Release (LR), and Pyrolytic Release (PR)—used soil samples collected by robotic arm and analyzed them under controlled conditions. While GCMS found no significant organic molecules, LR yielded positive, reproducible signals of radioactive gas release upon nutrient addition—signals that diminished or disappeared after heat sterilization or cold storage—prompting ongoing debate over whether the results indicate biological metabolism or abiotic oxidative chemistry, especially in light of later discoveries like perchlorate.

Atacama Large Millimeter Array

Arecibo Observatory

Biosignature

Carl Sagan

Cassini–Huygens

Extraterrestrial atmosphere

Hyperthermophile

Flashback (1992 video game)

Flashback is a cinematic platformer whose gameplay resembles Prince of Persia and Another World. Each level spans many non-scrolling screens, nearly all of which feature multiple levels of altitude. Conrad exhibits realistic human running speed and jumping ability, and realistic weakness. He dies if he falls from a great height. Conrad carries a pistol with unlimited ammunition; a force shield, which absorbs a certain number of shots before needing recharging, acting as Conrad's health; and a portable force field with unlimited use, which can act as a temporary barrier to block enemies' shots. As Conrad progresses through the game's seven levels, he is increasingly presented with spatial puzzles, requiring the player to discover how to guide him toward his destination. Late in the game, Conrad receives a teleportation device, and is able to progress by throwing the device and teleporting into otherwise unreachable areas.

Lunar Lander (1979 video game)

Lunar Lander (1979) is a vector-based arcade game by Atari, Inc. that reduces piloting to rotation, thrust, and fuel. It offers no story, no characters, no world—only a side-view landscape, a fragile module, and the unblinking arithmetic of descent.

Prey (2017 video game)

Prey (2017) is a first-person immersive sim set aboard the Talos I space station. You play as Morgan Yu, a scientist surviving a Typhon outbreak. You begin with a wrench and gradually unlock weapons, Neuromod abilities, and environmental tools. Talos I opens in stages—from linear missions to free exploration—and supports multiple solutions via systemic interactions: oil spills, turrets, explosive canisters, and the Gloo Cannon. It draws inspiration from System Shock and Arx Fatalis. It shares only its name with Human Head Studios’ earlier Prey series. It was developed by Arkane Austin under Raphaël Colantonio’s leadership.

Spore (2008 video game)

Spore is a Maxis-developed simulation game released in 2008 where players guide a species from single-cell origins through five evolutionary phases toward spacefaring capability, with defined goals including spaceship construction and reaching the galactic core.

The Dig (video game)

The Dig is a 1995 LucasArts point-and-click adventure game for PC and Macintosh. It casts the player as Commander Boston Low, stranded on an alien world after a failed lunar mission, investigating ancient ruins to understand a vanished civilisation and find a way home.

Elite Dangerous

Elite Dangerous is a persistent-galaxy space sim built on scale, synchronicity, and player-driven consequence. It offers unparalleled scope but minimal scaffolding. Its ambition is structural, not narrative. Its cost is time, not money.

No Man's Sky

No Man's Sky is a lean, deterministic simulation of scale — not story, not society, not persistence. It asks you to verify reality, not inhabit it.

Sinistar

Sinistar is a 1982 Williams Electronics arcade shooter where the player collects crystals from planetoids to build Sinibombs, using them to destroy Sinistar — a demonic skull-faced spacecraft constructed by red worker ships and guarded by warrior ships. It was not widely ported to home systems. It followed Defender (1981) and Stargate (1981), and sits alongside Joust and Robotron: 2084 as one of Williams’ popular and influential titles.

Richard Branson

Elon Musk

SpaceX

SpaceX is a government-contract-powered aerospace manufacturer whose reusable launch system succeeded where others failed — not because of vision alone, but because NASA paid for development, testing, and flight operations while Starlink created a parallel revenue stream. Its Mars and Starship ambitions remain outside this economic reality.

Ion thruster

Liquid-propellant rocket

Satellite constellation

SpaceX Starship

Robotic arm

Satellite imagery

Lidar

SES (company)

Homi J. Bhabha

Pierre Cardin

Omega Speedmaster

Aurora

Upper-atmospheric lightning

Salar de Uyuni