Berlin

Achtung Baby

Achtung Baby is U2’s seventh studio album, produced by Daniel Lanois and Brian Eno, recorded in Berlin and Dublin between late 1990 and mid-1991. It marked a deliberate departure from their earlier sound—incorporating alternative, industrial, and electronic dance influences—and reflected personal, introspective lyrical themes inspired by marital breakdowns, German reunification, and spiritual questioning. The Berlin sessions at Hansa Studios were fraught with tension and creative uncertainty, nearly leading to the band’s dissolution, until the improvised creation of 'One' provided a breakthrough. Subsequent Dublin sessions at Elsinore and Windmill Lane Studios yielded the completed album, characterised by distorted guitar textures, pronounced rhythm section, electronic beats, altered vocal techniques, and a self-conscious embrace of irony and artifice in both music and presentation. The album’s title and packaging were conceived to confound expectations and erect a 'mask' over its emotional weight. Its release inaugurated U2’s 1990s reinvention, culminating in the Zoo TV Tour and sustained musical experimentation throughout the decade.

Berlin

Berlin is a concept album about two amphetamine-addicted lovers in Berlin. Lou Reed plays acoustic guitar throughout. The title track is re-arranged for solo piano, with simplified structure and a changed key. 'Oh, Jim' uses the Velvet Underground outtake 'Oh, Gin'. 'Caroline Says II' rewrites 'Stephanie Says'. 'Sad Song' revises an earlier Velvet Underground demo with milder lyrics. 'Men of Good Fortune' was played by the Velvet Underground as early as 1966. The album was recorded as a 64-minute double LP but edited down by RCA. An untitled one-minute piano solo by Allan Macmillan appears between 'Berlin' and 'Lady Day' on early 8-track and cassette editions.

Lust for Life

A hard rock record made fast, in a real room, with real instruments, by people who had just survived something. No myth. Just sound.

The Idiot

The Idiot is Iggy Pop’s 1977 debut solo album, produced by David Bowie and recorded at Château d'Hérouville in France and Musicland Studios in Munich. Bowie composed most music and played keyboards, guitar, saxophone and drum machine; Pop wrote lyrics in real time and recorded vocals in Munich. French session musicians Laurent Thibault and Michel Santangeli contributed bass and drums, with Santangeli’s parts retained despite his early dismissal. The album’s sound is mechanical, sparse and emotionally detached—a fusion of James Brown’s funk and Kraftwerk’s electronics. It has influenced post-punk, electronic and industrial artists.

“Heroes”

Bowie, Brian Eno and Tony Visconti regrouped at Hansa Studio 2 in West Berlin in mid-1977, months after finishing Low, and built songs largely from scratch in the room with a returning rhythm section and a guest guitarist flown in on short notice. The setting bleeds into the record, and the title track has outlasted almost everything else Bowie made.

Low

Made after Bowie left a Los Angeles addiction behind for Europe, Low pairs Tony Visconti's harmonized drum sound with Brian Eno's ambient textures, opening with fractured songs before giving its second side over to instrumental mood pieces.

Berlin Alexanderplatz

Rainer Werner Fassbinder’s 1980 fourteen-part television adaptation of Alfred Döblin’s novel traces Franz Biberkopf’s failed attempts at honest living in late-Weimar Berlin. Shot by Xaver Schwarzenberger, scored by Peer Raben, and edited by Juliane Lorenz, it treats the city as a system of pressures — economic, legal, sexual — that wear down individual agency. With a cast including Barbara Sukowa, Gottfried John, and Hanna Schygulla, it avoids psychological exposition in favour of documentary texture, rhythmic repetition, and moral density. At 894 minutes, it asks for time not as concession but as condition.

Christiane F.

Christiane F. (1981) is a West German drama adapted from a real teenager’s account of heroin addiction in 1970s West Berlin. Directed by Uli Edel and shot with non-professional actors on location, it charts Christiane’s descent from bored 13-year-old to dependent user over two years, using unflinching realism, restrained performances, and a grey, grounded visual style. It omits her full biography — beginning and ending abruptly — and makes no claim to diagnosis or resolution. David Bowie appears in concert footage and contributes to the soundtrack, but his role is atmospheric, not symbolic.

Moonage Daydream

Moonage Daydream is a 140-minute documentary about David Bowie, directed and edited by Brett Morgen from five million items in Bowie’s personal archive. It uses montage, remixed music, and unreleased footage to construct a non-linear, sensory portrait — avoiding biography in favour of immersion. Premiered at Cannes in 2022, it won a Grierson Award and was shortlisted for an Oscar. It is structured as a series of associative chapters, emphasising Bowie’s intellectual and aesthetic preoccupations over career milestones.

People on Sunday

A 1930 German silent film shot on location over several Sundays, People on Sunday follows five Berliners — a wine seller, a taxi driver, a record clerk, a film extra, and a model — through a weekend of minor encounters, quiet arguments, and lakeside leisure. Made by a collective of young filmmakers including Billy Wilder and the Siodmak brothers, it uses non-professional actors playing versions of themselves, and relies on observation rather than plot. Its power lies in its unadorned realism, its rhythmic editing, and its poignant, unsentimental view of ordinary life in the final years of the Weimar Republic.

Wings of Desire

Wings of Desire (1987) is a West German–French arthouse fantasy set in Cold War Berlin, following an angel who abandons immortality to experience human sensation. Shot in black-and-white for the angels’ perspective and colour for human life, it uses poetic narration, restrained performances, and location-based realism to explore silence, memory, and embodiment. Directed by Wim Wenders with cinematography by Henri Alekan and music by Jürgen Knieper, it won European Film Awards and critical acclaim, though its deliberate pace and abstract structure divide viewers.

Faraway, So Close!

Wim Wenders’ 1993 fantasy sequel Faraway, So Close! follows the angel Cassiel as he becomes human in reunified Berlin, navigating bureaucracy, addiction, and criminal enterprise. Shot by Jürgen Jürges and scored by Laurent Petitgand, it trades the poetic stillness of Wings of Desire for a grittier, more fragmented register — one that reflects the city’s uncertain new reality. Though it won the Grand Prix at Cannes, its loose structure and tonal shifts divided critics. It is a film of texture over trajectory, best approached as a sustained meditation on presence, not a story with stakes.

Fall of the Berlin Wall

The Berlin Wall fell on 9 November 1989 when East Berlin transit restrictions collapsed. Harald Jäger opened the Bornholmer Straße crossing without orders. Crowds poured through. Mauerspechte began chipping away at the Wall that same night. Official dismantling began on 13 June 1990. This event helped trigger the fall of the inner German border, the Malta Summit’s Cold War declaration in early December 1989, and German reunification on 3 October 1990. It was one event in a series that started communism’s fall across Central and Eastern Europe. The source gives two times for Jäger’s decision but no reason for it. It names no other actors, documents no policy change, and does not specify how the Wall’s fall caused wider political change.

Jewish Museum Berlin

1920s Berlin

Berlin International Film Festival